Showing posts with label Viking Juvenile. Show all posts
Showing posts with label Viking Juvenile. Show all posts

Wednesday, March 19, 2014

Review: Half Bad

HALF BAD
Half Life #1
Sally Green
Paranormal Young Adult
416 pages
Viking Juvenile
Available Now
Source: Finished copy from publisher for review

THE STORY (from Amazon)
In modern-day England, witches live alongside humans: White witches, who are good; Black witches, who are evil; and sixteen-year-old Nathan, who is both. Nathan’s father is the world’s most powerful and cruel Black witch, and his mother is dead. He is hunted from all sides. Trapped in a cage, beaten and handcuffed, Nathan must escape before his seventeenth birthday, at which point he will receive three gifts from his father and come into his own as a witch—or else he will die. But how can Nathan find his father when his every action is tracked, when there is no one safe to trust—not even family, not even the girl he loves?

MY THOUGHTS
Half Bad is one of those stories we enter into with a certain set of expectations based on the limited amount of information provided by the synopsis, but, as is sometimes the case, once we crack the spine we find a very different type of novel than we'd anticipated. It’s not the story’s fault we'd prepared ourselves for an entirely different direction than it ended up taking, but it does take us a bit of time to reconcile where we thought we would be headed with where Nathan’s journey actually takes us. A story about witches has visions of magic–light and dark–dancing in our heads, and the mention of a girl in the same sentence as the word “love” has the romantic in us rubbing our hands together in glee, but what we find is a tale largely absent both magic and romance, leaving us just a touch off kilter even as we start to fall hard for young Nathan.

The format of Half Bad plays a large role in our initial disconcertion, starting us off in second person for the first couple chapters as we join Nathan in his cage before switching to first person and taking us back in time to when Nathan was just a boy. We follow Nathan from boyhood to age sixteen where we’re reunited with our timeline from the first few chapters, but just as we’re brought back to Nathan’s time in the cage, we’re once again shifted to second person for a chapter or two before returning to first person and staying there for the remainder of the book. The second person perspective doesn’t seem altogether necessary unless it will serve some greater purpose in the coming installments, so the switch back and forth becomes more jarring than it might have been otherwise if we understood the reason for it.

Though the perspective switch is off-putting, Nathan himself is an extraordinarily interesting young man, someone we’re rooting for from the moment we find ourselves locked in that cage with him. He’s treated abominably from a young age for being half Black Witch and half White, but though he suffers gut-wrenching abuse both emotional and physical, he never truly allows himself to be beaten. His fire burns brightly throughout, flaring up when he’s at his most defensive but staying coolly banked the remainder of the time, showing us he knows how to play the game the White Witches force upon him better than they ever dreamed he would. The true highlight of this story is Nathan’s beautiful relationship with his brother Arran, the bond between them both heartwarming and heartbreaking as they find themselves torn apart by the cruelty of those who, to our knowledge, are more monstrous than those from whom they claim to be protecting the world.

Though Nathan is attracted to a White Witch named Annalise before he finds himself imprisoned, there’s no real romance to be had in this story, something that’s not a true complaint as the addition of such would have detracted from the intense loneliness radiating from Nathan. He’s on his own in every way in this story, fighting battles both internal and external, and his nearly total emotional isolation (with the exception of Arran) creates an intriguing intimacy between he and us as readers. We don’t get to learn much about this world or the witchcraft that dominates it–Nathan’s ability to heal almost the only magical aspect throughout–leaving us hoping for both more history and more magical gifts in the next installment. Overall, Half Bad is a slower read than we might expect going in, Nathan’s story more of a straight line than a jagged one with lots of peaks and valleys, but the potential for future greatness is undoubtedly there and is more than enough to have us eager to pick up book two.

Rating: 3.5/5

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This book was sent to me by the publisher free of charge for the purpose of a review
I received no other compensation and the above is my honest opinion.

Friday, November 30, 2012

Review: Gilt

GILT
Katherine Longshore
Young Adult/Historical
406 pages
Viking Juvenile
Available now
Borrowed from Karen at For What It's Worth

THE STORY (from Goodreads)
In the court of King Henry VIII, nothing is free--
and love comes at the highest price of all.


When Kitty Tylney's best friend, Catherine Howard, worms her way into King Henry VIII's heart and brings Kitty to court, she's thrust into a world filled with fabulous gowns, sparkling jewels, and elegant parties. No longer stuck in Cat's shadow, Kitty's now caught between two men–the object of her affection and the object of her desire. But court is also full of secrets, lies, and sordid affairs, and as Kitty witnesses Cat's meteoric rise and fall as queen, she must figure out how to keep being a good friend when the price of telling the truth could literally be her head.


MY THOUGHTS
Gilt is not one of those novels where the pages practically turn themselves, our intense desire to reach the end physically expressed through the rapid devouring of chapters; instead we carry a burden from the very beginning, our preexisting knowledge of Catherine Howard’s fate slowing our progression to an almost crawl as we dread the flip of the page for how much closer it brings us to her brutal demise. Because the pace is a bit slow—Kitty’s arrival in the queen’s court not even taking place until almost a third of the way through—it takes our interest and curiosity a bit longer to be piqued, our attention waxing and waning repeatedly as sumptuous details of fabric, jewelry, and other various descriptions weigh us down before the intrigue, betrayal, and sinister nature of the Tudor Court grabs our focus back and holds it unwavering.

Kitty is a beautifully depicted character, loyal to a fault to those who don’t always deserve such unwavering devotion, and someone who grows from a timid girl scared to share her opinion to a surprisingly strong young woman who finds her voice even though it often falls of deaf ears. Her confusion and hesitancy when she’s thrust into life at court settles heavily in our guts as soon as she sets foot there, our instincts crying out at us to shield her from Cat’s manipulations as we know they are only going to grow more devious and have far more dire consequences the more time she spends in the queen’s employ. Though it takes her a while, Kitty finally learns to stand her ground, years of daily lessons on how to recognize the cruel twist of lips hidden behind beatific smiles and how to see ugliness hidden beneath the shine of wealth and privilege ensuring she cuts her strings for good, free of the puppeteers with whom she’s spent her entire life.

Cat is both terrible and benevolent, her selfishness unparalleled and often appalling, but there are rare moments when her love for Kitty seems to be genuine, giving us a brief glimpse at the toll life as queen takes on her. Those moments are few and far between however, and we spend a great deal of time wanting to scream at the top of our lungs, hoping our voices will breach the fictional barrier and make her see that the bed she’s making for herself will soon be stained with the blood of those whose lives she so callously plays with day in and day out. She thinks only of herself up until the very moment she presents her neck for the executioner’s axe, and we can do nothing but shake our heads in dismay that she didn’t open her eyes and learn from the mistakes made by the women married to Henry before her, instead allowing her youthful sense of invincibility to obscure what history was so clearly trying to show her.
 

Overall, Gilt is a fascinating read for no other reason than the glimpse of Tudor history it gives us, though we easily close the back cover thankful to be in our reality with our heads blissfully attached to our bodies. Those who adore historical fiction for the atmosphere and the minute, intimate details of day-to-day life will revel in the pictures Ms. Longshore beautifully paints, though those readers who have a more superficial appreciation for it may at times begin to feel the full length of the 400 pages and wish Cat’s rise and fall as Queen Catherine might have been depicted at a quicker pace.

Rating: 3.5/5